Tag Archives: Epic fails: Glitch techno and the aesthetic of the imperfect

The birth of… glitch techno

Glitch techno (or microhouse, or buftech) emerged mainly in Germany and Canada in the late 90s as a variant of minimal techno and is associated with labels like Playhouse, Perlon and Mille Plateaux in Frankfurt, Kompakt in Cologne, and Cynosure in Montreal. Though produced with modern software, its aesthetic roots are in the Italian Futurist […]